First published in The Independent Voices 29th November 2013
I love horror. I love the jumps, the winces, the rush of adrenaline that accompanies a satisfying scare. There are lots of laudable things about the genre that are often overlooked, such as its ability to explore social fears in a way that other types of film do not. What happens when the good guys don’t win or when the rule of law is subverted or made irrelevant? What happens when the familiar (the home, our children, our partners) becomes unfamiliar or invaded by outside forces (hauntings, home invasions, possessions, abductions, psychosis)? Good, innovative horror is meant to push boundaries and challenge audiences, to shake them out of cinematic torpor and force them to really think. A horror film can allow a build-up and release of extreme emotion that will be cathartically left behind when one exits the cinema.